On the basis of the manuscripts and other materials preserved in the archives of Tumanyan, one can make a rough idea of the tendency of the drama “Artavazd”, of its possible plot, ideology, psychological developments of the author, and symbols. By means of a comparative examination, not only several essential characteristics of the typological differentiation of Artavazd myth are highlighted, but possible hypotheses for revealing the contextual sub-layers of H. Tumanyan’s “Artavazd” drama are also suggested. While studying the issue, we applied the comparative, historical-comparative, interpretive methods, pointing out and analyzing the basis of tragical conflict between Artashes and Artavazd and the key features in Tumanyan’s notes and in the article “On the section of “Tenchair Satenik” by Khorenatsi”.

Keywords H. Tumanyan M. Khorenatsi legend Artashes Artavazd Satenik unfinished drama notes mythological map envy longing psychological domain.

Out of forty-one available folk songs of the Armenian epic Sasna Tsrer (Arm. Daredevils of Sassoun), 15 samples belong to the most beloved hero, David. David’s songs are grouped into three types according to their content: (a) songs in which the hero collects information about his ancestors and plans his actions, (b) songs that uncover his psychological state, and (c) songs that present him as a strong personality confident in his plans and actions.

Keywords“Sasna Tsrer” epic songs David’s songs operatic dramaturgy melodic contour.

In its further literary interpretations (“Metamorphoses”, by Ovid) the ancient Greek myth of Pygmalion, the sculptor, symbolizes the true inspiration of an artist and the one who apperceives the work of art. The transformation of the marble statue is a clear allegory which drives the reader to various reflections on the metaphysics of a work of art and the external reality. The issue is highly contradictory.

Keywordsallegory nature drama aesthetic modus theme prototype harmony work of art form vs matter.

The historical and philosophical worldview of Hovhannes Tumanyan is reflected in his unfinished works, which have yet to become a subject of scientific study, although, in 2022, they were published in the 5th volume of the poet's “Complete Collection of Works”. Critical comprehension of Tumanyan’s historical perspectives holds true significance, driven by the intensification of security issues in recent years and the ongoing war of external forces against the Armenian people and their statehood.

KeywordsHovhannes Tumanyan history of Armenia historical dramas fall of Ani “Artavazd II” “King Hovhannes” (or “Smbat II”) “Impressions of War”.

History, culture and literature of the Armenian people were subjects of comprehensive study conducted by Yuri Veselovsky (1872–1919), a famous Russian scientist, literary critic, philologist, translator and Armenologist. The great humanist believed it essential to acquaint the Russian society with the centuries-old history of the Armenian people, with its rich cultural heritage. The scientist's research in these fields is a valuable contribution to the development of Armenian studies in Russia.

KeywordsYu. Veselovsky Armenian ancient drama theaters in Constantinople and Tiflis theatrical figures P. Adamian M. Peshiktashlian G. Sundukian P. Kornel L. Shant.